Jackson Mathod - Studio Natives, Vol. 1 - Vinyl Record

1. Watermelon Man This track version actually came from an improvisation that Allesandro IIona (Keys) made on a live show at RonnieScott's at the start of the year. I think we were were having some issues with one of the monitors on stage and it juststarted making this beeping sound. Then I remember Alleh just came in with that piano riffat the start and the rest was history. This one of thefirst tracks we recorded for the EP and I'm super pleased with how this one turned out. Afterseeing Herbie Hancock live for thefirst time the year before, this felt like the perfect tribute to him! 2. Mandible The majority of the writing on this album was done at my studio space in Hither Green, where I am every tuesday! I usethis space to record but mainly a space to develop my art. So this EP all came from a few sessions there. We all haveour own creative things going on so it was really great to collaborate as a band and trash out some ideas we had.Mandible is one of my favour
About this Item

The item format is a vinyl
This specific sale is a new release, shipped direct from the manufacturer
The Artist Name is Jackson Mathod
The Title is Studio Natives, Vol. 1

Condition New

Other Comments
1. Watermelon Man This track version actually came from an improvisation that Allesandro IIona (Keys) made on a live show at RonnieScott's at the start of the year. I think we were were having some issues with one of the monitors on stage and it juststarted making this beeping sound. Then I remember Alleh just came in with that piano riffat the start and the rest was history. This one of thefirst tracks we recorded for the and I'm super pleased with how this one turned out. Afterseeing Herbie Hancock live for thefirst time the year before, this felt like the perfect tribute to him! 2. Mandible The majority of the writing on this album was done at my studio space in Hither Green, where I am every tuesday! I usethis space to record but mainly a space to develop my art. So this all came from a few sessions there. We all haveour own creative things going on so it was really great to collaborate as a band and trash out some ideas we had.Mandible is one of my favourite tracks on the. It's very simple but leaves us a lot of space to explore some more freeimprovisation. I think in some of my previous recorded music I was more focused on creating well crafted music withgreat melodies and harmony. Whereas here there's a bit more focus on playing as a group and being more explorative inimprovisation. We also didn't have a melody for this track until a week before the recording! Sometimes it just takes awhile tofind that melody or it might just pop into your head one day. 3. Slum This is a tune that was actually written by myself in 2017/18. Round about that time, I had been playing at a jam night ata warehouse unit in Limehouse called Unit 31. The night was ran by Pianist Raffy Bushman and Drummer Sam Michnikand was focused on hiphop and Jazz fusion. We would usually play a set of instrumental music before it opened up forvocalists and other instrumentalists to come and jam. It was a great place to try out new ideas, so I wrote this tune for itbut we never recorded it. It was really nice to revisit this tune and get it recorded properly at 'That SoundStudios' (Seven Sisters). This track is all about dynamics and a slow build throughout. Descending to more chaos at theend! 4. Red Pistachio For thefirst two sessions we wrote with a different bass player to Edmondo Cicchetti who is on the recordings. A greatbass player and friend of mine Tom Driessler. This track started kinda exactly how it starts on the record, with that basshook. I'm very influenced by Christian Scott Atunde Adjuah and his melodic writing. Particularly on his album 'StretchMusic'. So this felt really inspired by that album. The chords don't really move around too much until the solo sectionwhere it becomes more like a blues. Then Allesandro get's a bit more loose at the end with the descending sequence. 5. Jerome arrived Late Quite simply we started writing this tune before Jerome (Drums) arrived late. In the recording session we were a bitundecided about what to do in the solo section. We tried out a few different options before we eventually landed onfeaturing Gabriele Pribetti on Sax. I'm really into his solo on this as it's rhythmically and dynamically really exciting. As Imixed the record it was also a great solo to mess with and run through lots of different plug-ins. There's some weirddelays and phasing going on that and I added some octaves too in places. Credits Jackson Mathod - Trumpet and Flugelhorn Gabriele Virgilio Pribetti - Tenor Saxophone Edmondo Cicchetti - Double Bass Allesandro IIona - Piano and Keyboards Jerome Johnson - Drums Mixing - Jackson Mathod Mastering - Alexander Miller

The Media Condition is New

This is new and unplayed

The Sleeve Condition is New

New unplayed

We Use Stock Images
Because we have over 2 million items for sale we have to use stock images, this listing does not include the actual image of the item for sale. The purchase of this specific item is made with the understanding that the image shown in this listing is a stock image and not the actual item for sale. For example: some of our stock images include stickers, labels, price tags, hyper stickers, obi's, promotional messages, signatures and or writing which may not be available in the actual item.

Vinyl Record disc colour
Stock images can show a black, coloured, or picture disc. Unless a colour or picture is explicitly described in this listing, this purchase is made with the understanding that it could be black or any colour, and or could be a picture disc.
 

Vinyl Record Version
Vinyl discs are released in many editions and variations, such as standard edition, re-issue, demonstration (demo), not for sale, promotional (promo), special edition, limited edition, and many other editions and versions.  The disc you receive could be any of these editions or variations. 
 

The Outer Sleeve
When we describe the sleeve condition in this listing, we are describing the outer sleeve only, specifically, it does not describe the inner sleeve unless explicitly referenced.
 

The Inner Sleeve
Almost all of our vinyl records will include either an original inner sleeve or a plain inner sleeve, or a printed inner sleeve. The images of this inner sleeve as shown on this listing are stock images, not the actual image. Inner sleeves are notorious for being replaced or damaged, such as edge splits. Unless explicitly mentioned in this listing the inner sleeve is not part of this purchase. If you purchase this vinyl record it is with the clear understanding the inner sleeve is not included as part of this sale, and if a sleeve is included it is provided on an as/is condition solely as packaging, as a protector for the record, which may have creases, wear or edge splits.
 

Hairlines
If we reference a hairline(s), it means it is a light line on the disc that looks like a hair. Hairlines are different to scratches or wear. A hairline is lighter and has limited and less impact on the playing quality, whereas wear or a scratch can cause some level of clicks, pops or interference when playing. 
 

Record Grading
Our Records are graded by the worldwide record industry standard called the 'Record Grading 101: Understanding The Goldmine Grading Guide'. Search this term on Google if you have any queries about how sellers and collectors grade vinyl records.
 

Delivery Carrier and Courier Tracking
We use internal tracking codes when shipping goods.  If your item is not delivered within five days of dispatch you are welcome to contact us to track and resolve any delivery issues.
 

Gift Ideas
This is a great gift idea.

Hours of Service
We have many warehouses, some of the warehouses process orders seven days a week, but the Administration Support Staff are located at a head office location, outside of the warehouses, and typically work only Monday to Friday.
 

Location ID 659z

iHaveit SKU ID 1353305154

Unique Reference Number 2800144041