Various - Rhythms Of Poetry - Used Vinyl Record
Various - Rhythms Of Poetry - Used Vinyl Record
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About this Item
The item format is a vinyl
The Artist Name is Various
The Title is Rhythms Of Poetry
The Catalog Number is OU 21
Condition Used
Other Comments
The Media Condition is Excellent
The disk looks great, it may have very light or minor visible marks or wear, but when playing there should be very minimal or no surface distortion. It may have very minor warp. The label looks really good.
The Sleeve Condition is Very Good
This sleeve may have wear, it may have edgewear and the sleeve edge may have splits, it may have visible circle wear or light wear and is likely to have some creasing. It could have, label wear, sellotape, stickers, writing, or other minor visible issues.
The Tracks of this item include:
1. Iambic Lines Of Five Feet (Iambic Pentameter) In Rhymed Couplets
2. Geoffrey Chaucer - "But Lord Christ, When That It Remembreth Me" From "The Wife Of Bath's Prologue" (Modern Pronounciation)
3. Geoffrey Chaucer - "But Lord Christ, When That It Remembreth Me" From "The Wife Of Bath's Prologue" (Original Pronounciation)
4. Elizabethan Couplets
5. Christopher Marlowe - "Now In Her Tender Arms I Sweetly Bide" From Translation Of Ovid's Amores
6. John Donne - "When I Am Gone, Dream Me Some Happiness" From "To His Mistress Desiring To Travel With Him As His Page"
7. Augustan, Keatsian And Modern Couplets
8. Alexander Pope - "She Went To Plain-Work, And To Purling Brooks" From "Epistle To Miss Blount"
9. John Keats - "Soft Went The Music The Soft Air Along" From Lamia
10. Robert Lowell - "Tamed By Miltown We Lie On Mother's Bed" From "Man And Wife"
11. Verse Of A Song In Lines Of Five Feet
12. Unknown Artist - "Haste Hapless Sighs, And Let Your Burning Breath" From "Go Crystal Tears"
13. Blank Verse: Unrhymed Iambic Pentameters, Elizabethan And Jacobian
14. Christopher Marlowe - "Black Is The Beauty Of The Brightest Day" From Tamburlaine Part II
15. John Webster (2) - "What Would It Pleasure Me To Have My Throat Cut" From The Duchess Of Malfi
16. Milton's Blank Verse
17. John Milton (2) - "Is This The Region, This The Soul, The Clime" From Paradise Lost
18. Wordsworth's Blank Verse
19. William Wordsworth - "Now Less In Springtime When On Southern Banks" From The Prelude
20. Blank Verse In Eliot
21. T. S. Eliot - "I That Was Near Your Heart Was Removed Therefrom" From "Gerontion"
22. Italian Verse: Eleven-Syllable Lines Alone; And With Seven Syllable Lines
23. Dante Alighieri - "S'io Credesse Che Mia Risposta Fosse" From Inferno
24. Dante Alighieri - "O Voi Che Per La Via D'Amor Passate" From La Vita Nuova
25. Pentameters Together With Line Of Three Feet In English
26. Unknown Artist - "I Saw My Lady Weep" - First Verse
27. T. S. Eliot - "Let Us Go Then, You And I" From "The Love Song Of J. Alfred Prufrock"
28. Lines Of Three Feet
29. John Skelton (2) - "By Saint Mary My Lady" From "To Mistress Isabel Pennell"
30. Unknown Artist - "First When I Cam' To The Town" From "The Lichtbob's Lassie"
31. Philip Larkin - "For Nations Vague As Weed" - "Nothing To Be Said"
32. Alexandrines (Lines Of Six Feet) In English
33. Michael Drayton (2) - "Up With The Jocund Lark (Too Long We Take Our Rest)" From Polyolbion
34. Broken Alexandrines In French
35. Jules Laforgue - "Blocus Sentimental! Messageries De Levant!,,," From "L'Hiver Qui Vient"
36. Lines Of Two Feet
37. Sir Thomas Wyatt - With Serving Still
38. Iambic Lines Of Four Feet
39. Unknown Artist - "There Is A Lady Sweet And Kind" (First Verse)
40. Iambic Lines Of Four Feet (Continued)
41. Sir Walter Raleigh - "Even Such Is Time, Which Takes In Trust" - "Epitaph"
42. Trochaic Lines Of Four Feet
43. John Milton (2) - "Straight Mine Eye Hath Caught New Pleasures" From "L'Allegro"
44. W. H. Auden - "Lay Your Sleeping Head My Love" - First Verse Of "Lullaby"
45. Trochaic Lines Of Eight Feet
46. Fortunatus - "Pange Lingua Gloriosi Proelium Certaminis" - First Verse
47. John Betjeman - "Oh The After-Tram-Ride Quiet, When We Heard A Mile Behind" From "Parliament Hill Fields"
48. Iambic Lines Of Seven Feet (Fourteeneers)
49. Arthur Golding - "The Damzell Ronnes As If Her Feet Were Wings. And Though That Shee" From Translation Of Ovid's Metamorphoses
50. Trochaic Lines Of Seven Feet
51. Unknown Artist - "Underneath A Cypress Shade The Queen Of Love Sat Mourning" (First And Last Verse)
52. Anglo Saxon Stress Rhythms
53. Ezra Pound - "May I For My Own Self Song's Truth Reckon" From "The Seafarer"
54. Unknown Artist - "Mæg Ic Be Me Sylfum Soogied Wrecan" (Original)
55. Medieval Stress Rhythms
56. William Langland - "In A Somer Seson Whan Soft Was The Sonne" From Piers Plowman (Modern Pronounciation)
57. William Langland - "In A Somer Seson Whan Soft Was The Sonne" From Piers Plowman (Original Pronounciation)
58. Renaissance Verse Between Stress And Pentameter Rhythms
59. Sir Thomas Wyatt - "Wherewith Love To The Hart's Forest He Fleeth" From Translation Of Petracht's Sonnet "The Long Love That In My Thought Doth Harbour"
60. Modern Rhythms Related To Stress Verse
61. W. H. Auden - "Doom Is Dark And Deeper Than Any Sea Dingle" From "The Wanderer"
62. William Butler Yeats - "Listen To The Hoofbeats. Listen! Listen!" From Purgatory
63. Stress Verse In Eliot
64. T. S. Eliot - "Midwinter Spring Is Its Own Season" From "Little Gidding"
65. Medieval Song Rhythms
66. Unknown Artist - "Bytuene Mershe And Averil" From "Alisoun" (c. 1300)
67. Unknown Artist - "The Maidens Came" - "The Bridal Morn"
68. Folksong And Ballad Rhythms
69. Unknown Artist - "Clark Saunders And May Margaret" From "Clark Saunders"
70. Unknown Artist - "One Morning Fair As I Took The Air" From "Blackwaterside"
71. Verse Forms With Song Freedoms
72. Ben Jonson - "The Owl Is Abroad, The Bat And The Toad" - "The Witches' Charm"
73. Verse Forms With Song Freedoms (Continued)
74. Samuel Taylor Coleridge - "The Night Is Chill, The Forest Bare" From "Christabel"
75. A.C. Swinburne - "In A Coign Of The Cliff Between Lowland And Highland" From "A Forsaken Garden"
76. A Song Verse In Triple Time
77. Unknown Artist - "It Was Pleasant And Delightful One Mid-summers Morn" (First Verse)
78. Verse With Three Syllables To The Foot
79. William Cowper - "The Poplars Are Felled, Farewell To The Shade" From "The Poplar-Field"
80. William Barnes - "When The Swift-Rolling Brook, Swollen Deep" - "The Storm-Wind"
81. Dactylic Hexameters
82. Virgil (3) - "Hic Tamen Hanc Mecum Poteras Requiescere Noctem" From "Eclogue I"
83. Arthur Hugh Clough - "Rome Disappoints Me Much; I Hardly As Yet Understand, But" From Amours De Voyage
84. Elegiac Couplets And Related Rhythms
85. Ovid - "Nunc Iuvar In Teneris Dominae Iacuisse Lacteris" From Amoures
86. Thomas Hardy - "When The Present Gas Latched Its Postern Behind My Tremulous Stay" From "Afterwards"
87. Friedrich Hölderlin - "Kehr In Die Dürftigen Herzen Des Volks, Lebendige Schönheit" From "An Diotima"
88. Modern Verse Related To Dactylic Rhythms
89. Ezra Pound - "Like A Skein Of Loose Skin Blown Against A Wall" - "The Garden"
90. Modern Verse Related To Dactylic Rhythms (Continued)
91. Henry Reed - "The Is The Lower Sling Swivel. And This" From "Naming Of Parts"
92. Sapphics
93. Sappho - "Poikilóthron' Áthanat Aphródita" (First Verse)
94. Isaac Watts - "When The Fierce North-Wind With Its Airy Forces" From "The Day Of Judgement"
95. Sprung Rhythms
96. G. M. Hopkins - "I Caught This Morning Morning's Minion, King-" From "The Windhover"
97. Biblical Rhythms
98. Unknown Artist - Book Of Psalms - "O Come, Let Us Sing Unto The Lord" From Authorized Version, Psalm 95
99. Christopher Smart (2) - "For I Will Consider My Cat, Jeoffry" From "Jubilante Agno"
100. Nineteenth Century Free Verse Forms
101. William Blake - "The Banks Of The Thames Are Clouded! The Ancient Porches Of Albion Are" From "Jerusalem"
102. Walt Whitman - "I Sing The Body Electric"
103. Some Recent Free Verse Rhythms
104. Marianne Moore - "With Innocent Wide Penguin Eyes, Three" From "Bird-Witted"
105. Some Recent Free Verse Rhythms (Continued)
106. Charles Tomlinson - "Reality Is To Be Sought, Not In Concrete" - "Aesthetic"
107. Some Recent Free Verse Rhythms (Continued)
108. Brian Patten - "He Said: Let's Stay Here" - "Party Piece"
We Use Stock Images
Because we have over 2 million items for sale we have to use stock images, this listing does not include the actual image of the item for sale. The purchase of this specific item is made with the understanding that the image shown in this listing is a stock image and not the actual item for sale. For example: some of our stock images include stickers, labels, price tags, hyper stickers, obi's, promotional messages, signatures and or writing which may not be available in the actual item.
Vinyl Record disc colour
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Vinyl Record Version
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The Outer Sleeve
When we describe the sleeve condition in this listing, we are describing the outer sleeve only, specifically, it does not describe the inner sleeve unless explicitly referenced.
The Inner Sleeve
Almost all of our vinyl records will include either an original inner sleeve or a plain inner sleeve, or a printed inner sleeve. The images of this inner sleeve as shown on this listing are stock images, not the actual image. Inner sleeves are notorious for being replaced or damaged, such as edge splits. Unless explicitly mentioned in this listing the inner sleeve is not part of this purchase. If you purchase this vinyl record it is with the clear understanding the inner sleeve is not included as part of this sale, and if a sleeve is included it is provided on an as/is condition solely as packaging, as a protector for the record, which may have creases, wear or edge splits.
Hairlines
If we reference a hairline(s), it means it is a light line on the disc that looks like a hair. Hairlines are different to scratches or wear. A hairline is lighter and has limited and less impact on the playing quality, whereas wear or a scratch can cause some level of clicks, pops or interference when playing.
Record Grading
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Delivery Carrier and Courier Tracking
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Hours of Service
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Location ID 34z
iHaveit SKU ID 146199808
Unique Reference Number 1/66837
SKU: SKU:146199808
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Care Instructions
Care Instructions
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